Canon EF-S 18-200mm

Compact, lightweight and a wide magnification range – this standard zoom lens features a wide focal length range from normal to telephoto equivalent to 29-320mm in the 35mm format.

It features an Optical Image Stabilizer for up to 4-stops of effective correction even at full zoom. Since Canon’s optical image stabilization system is in the lens, not in the camera, you can see the stabilized, steadier images through the viewfinder. And the circular aperture can give beautiful background blur effects. This new wide zoom ratio EF-S lens delivers excellent high-speed performance at an affordable price.

Best Price Canon EF-S 18-200mm Lens          View All Lenses

More on 18-200mm Lenses

Zoom is the stuff. At least as far as convenience goes. When I hired in, it was Nikon’s 18-200mm VR. We just could not keep that sucker in stock. That’s an 11x zoom (welllllll…. 11.111111 yadda yadda, rounding is our friend here.) Last year Canon jumped onto that game itself with the EF-S 18-200. 11x, that’s not too darn shabby there. The average point-and-shoot for years has been 3x.

We should really stop to talk about how unuseful “zoom” is as a measurement. The x zoom of a lens is found by dividing the longest length by the shortest. So, it tells you how much there is, but now where it exists between. Is the widest point 36mm, or 28mm? How long is that telephoto? 100mm? 200mm? Who knows? Zoom is a handy quick measurement, but it’s useless if you don’t also check to see where the limits are at.

So, 18-200 is the popular “super-zoom” length for crop sensors (more or less the same as a 28-300 would’ve served in 35mm days). So, 28mm (or equiv) is pretty solid wide-angle.  Certainly better than the 38mm or so that’s standard on point-and-shoots. And, 300mm equiv is a pretty nice telephoto length. But, what if you want more (me, I like 400mm equiv)? What if you don’t want to change lenses much or ever? Why not a Sigma 18-250 (about 27-375)? Or, for you hardcore junkies, Tamron’s 18-270 (about 27-405)? Those are some amazing zooms, they really are.

Now, let’s get this out there: There will always, always, always be a compromise or two in lens design. All-in-one zooms like the 18-200s, 18-250s, and 18-270s are stellar for convenience. That’s basically every focal length a non-specialized shooter could ever want. But, it’s like the old saying, jack of All Trades, Master of None. It’s very, very hard to the point of impossible to make a lens with that much zoom perform as well as a lens with only 2 or 3x zoom. Does that mean they’re bad? Heck no. Optics have gotten so much better I’d wager these super-zooms outperform most of the consumer zooms designed for film all those years ago. But, don’t expect premium grade, either. There’s a reason the top lenses from any manufacturer are huge, short zoom, and high price.

But, if you don’t need the sharpest, fastest lens ever made period dot exclamation mark, an All-in-One lens is definitely a nice way to simplify your life and stress by removing lens swapping from your day-to-day shooting experiences. Interest piqued? Under Photo: Camera Lenses: Zooms (All-in-One) you’ll find our ever-growing selection of zooms with mighty ranges. Check it.

Specifications for Canon EF-S 18-200mm f/3.5-5.6 IS

Nikon AF-S DX Nikkor 35mm

Fast f/1.8 prime NIKKOR lens: Perfect for low-light conditions, travel, environmental portrait and general photography

• Engineered for Nikon DX-format digital SLRs Optical formula optimized for use with Nikon DX-format digital SLRs, rendering a picture angle approximating the classic normal angle of view of a 50mm lens on a Nikon FX-format digital SLR or a 35mm film camera
• Aspherical lens element Minimizes coma and other types of lens aberrations, further improving image integrity
• Nikon Super Integrated Coating (SIC) Enhances light transmission efficiency and offers superior color consistency and reduced flare
• Exclusive Nikon Silent Wave Motor (SWM) Enables fast, accurate and quiet autofocus
• Close focusing to one foot For creative perspectives and versatility
• Rounded 7-blade diaphragm Renders more natural appearance of out-of-focus image elements

Best Price Nikon AF-S DX NIKKOR 35mm f/1.8G          Nikon Corporate Site

Brief Update on Nikon AF-S DX

I’m sure you’ve all heard about the AF-S DX NIKKOR 35mm f/1.8G, which for all you DX users will be as close as it’s going to get to the 50mm f1.8’s of ye olden days. That price point is pretty sweet, two, color me envious this time.

Specifications for Nikon AF-S DX NIKKOR 35mm f/1.8G Lens

   

Tamron AF18-270

The following review for the Tamron AF18-270 includes information from Cnet, a Tamron Rep,  and industry pro.

With its vast zoom-range, the Tamron AF18-270mm F/3.5-6.3 Di II VC lens enables the user to cover virtually any photographic subject from wide angle to ultra telephoto simply by turning the zoom control.

It covers angles of view equivalent to 28mm to 419mm when converted to the 35mm format. In addition, this breakthrough lens is equipped with Tamron’s exclusive, proprietary tri-axial Vibration Compensation (VC) mechanism that eliminates or substantially reduces the effects of handheld camera shake. As a result, the user can enjoy the convenience of handheld photography in virtually any situation, from shooting candid images, to covering sporting events, to news photography, without worrying about camera shake having an adverse effect on image quality.

Pro Opinion

More from the floor, this time Tamron’s rather popular 18-270mm ultra-zoom lens. Seriously, 15x zoom. Now, I’ve talked in the past about the compromises inherent in a zoom lens that goes from wide to super-tele, but this doesn’t purport to be a pro lens that delivers the absolute best image quality ever in every condition. What it does do is save you a whole lot of swapping–covering about 27-405mm equivalent, and image stabilized too–which for some shooters is worth more. I applaud its ambition, and from the charts I’ve seen it performs just as well as any lens in its quality grade. And that’s really kinda boffo.

Customer Thoughts

Good vibration control. Great for up close and distance shots. It is a bit heavy, but nothing to fret about. When adjusting the zoom ring it tends to be a bit tight and not real smooth to operate. Love how the lense has a six year warranty. (Nikon has a 5 year warranty.) 

Complete Cnet Review

Shop For Tamron AF18-270          Camera and Camcorder Repairs

Tamron Video Description From Tamron Rep

From The Manufacturer

Tamron AF18-270 Specifications

Remember to check back with VDC reviews for the latest industry information, rebates and product releases!

Canon EF 70-200 f/2.8 IS USM

Incorporating Canon’s second generation Image Stabilization technology, this telephoto zoom responds in as little as 0.5 seconds, while providing up to three stops of correction for camera shake.

Its AF system has been refined for better response time and tracking speed. And even the new 8-blade circular aperture offers a more pleasing out-of-focus image. Constructed to pro standards, this fast zoom is also highly resistant to dust and moisture, too.

Canon Zoom EF 70-200mm f/2.8L IS USM Specs

Best Price Canon Zoom EF 70-200mm f/2.8L IS USM

Tamron Lens AF18-250mm

Tamron’s new high-power zoom lens is a photographer’s dream come true – it is the result of Tamron’s continuing mission to develop the world’s most unique “one-lens-does-it-all” zooms to satisfy our customers’ desire.

Di II: Lenses are designed for exclusive use on digital cameras with smaller-size imagers and inherit all of the benefits of our Di products. These lenses are not designed for conventional cameras and digital cameras with image sensors larger than 24mm x 16mm. 
While conventional 35mm film cameras required two lenses to cover 28-388mm, Tamron’s new zoom is 13.9X, the world’s most powerful zoom delivering enormous photographic freedom in a single compact lens. The life of a digital photographer has never been better.

Review

Zoom is the stuff. At least as far as convenience goes. When I hired in, it was Nikon’s 18-200mm VR. We just could not keep that sucker in stock. That’s an 11x zoom (welllllll…. 11.111111 yadda yadda, rounding is our friend here.) Last year Canon jumped onto that game itself with the EF-S 18-200. 11x, that’s not too darn shabby there. The average point-and-shoot for years has been 3x.

Best Price Tamron Lens AF18-250mm F/3.5-6.3

We should really stop to talk about how unuseful “zoom” is as a measurement. The x zoom of a lens is found by dividing the longest length by the shortest. So, it tells you how much there is, but now where it exists between. Is the widest point 36mm, or 28mm? How long is that telephoto? 100mm? 200mm? Who knows? Zoom is a handy quick measurement, but it’s useless if you don’t also check to see where the limits are at.

So, 18-200 is the popular “super-zoom” length for crop sensors (more or less the same as a 28-300 would’ve served in 35mm days). So, 28mm (or equiv) is pretty solid wide-angle. Certainly better than the 38mm or so that’s standard on point-and-shoots. And, 300mm equiv is a pretty nice telephoto length. But, what if you want more (me, I like 400mm equiv)? What if you don’t want to change lenses much or ever? Why not a Sigma 18-250 (about 27-375)? Or, for you hardcore junkies, Tamron’s 18-270 (about 27-405)? Those are some amazing zooms, they really are.

Now, let’s get this out there: There will always, always, always be a compromise or two in lens design. All-in-one zooms like the 18-200s, 18-250s, and 18-270s are stellar for convenience. That’s basically every focal length a non-specialized shooter could ever want. But, it’s like the old saying, jack of All Trades, Master of None. It’s very, very hard to the point of impossible to make a lens with that much zoom perform as well as a lens with only 2 or 3x zoom. Does that mean they’re bad? Heck no. Optics have gotten so much better I’d wager these super-zooms outperform most of the consumer zooms designed for film all those years ago. But, don’t expect premium grade, either. There’s a reason the top lenses from any manufacturer are huge, short zoom, and high price.

But, if you don’t need the sharpest, fastest lens ever made period dot exclamation mark, an All-in-One lens is definitely a nice way to simplify your life and stress by removing lens swapping from your day-to-day shooting experiences. Interest piqued? Under Photo: Camera Lenses: Zooms (All-in-One) you’ll find our ever-growing selection of zooms with mighty ranges. Check it.

Tamron AF18-250mm F/3.5-6.3 Di II LD Specs

Sony SAL-70200G - 70-200mm f/2.8 G-Series Telephoto Lens

A precision zoom lens with bright aperture and fast, quiet auto-focus response. Specially designed for the APS-size CCD imager of the Sony DSLR-A100 camera, the superb G Series SAL-70200G telephoto zoom lens covers a broad range of frequent telephoto shooting situations. Its 35mm-equivalent range of 105-300mm zooming, fast f/2.8 aperture and quiet, high-speed SSM (Super Sonic wave Motor) auto-focus precision makes it ideal for long-distance sports and wildlife photography.

SSM (Super Sonic wave Motor)
A built-in lens motor for faster automatic focusing with high torque at low speed, quick start/stop response, and quiet, smooth operation.

ED (Extra-low Dispersion) Glass
Four precision ED Glass lenses correct chromatic aberrations and deliver visually accurate results even at full telephoto zoom extension.

Best Price Sony SAL 70200 G Lens          

Internal Focusing System
Internal lens elements move, so the overall length does not change — creating a zoom lens that focuses more quickly and doesn?t affect the balance of your camera.

2 DMF (Direct Manual Focus) Modes
Allow you to quickly revert to manual focus by just turning the manual focus ring of the lens.

Versatile Focus Hold
Three focus hold buttons in different lens locations, plus electronic slider focus range selector switch.

Sony Lens SAL-70200G-70-200mm f/2.8 G-Series Telephoto Specs

The EF 50mm f/1.2L USM is suitable for any shooting situation; its lens coating and construction are optimized to minimize the ghosting and flare that frequently occurs when lenses are used with digital cameras. This high-performance, weather-resistant lens delivers all the superb image resolution and contrast you expect in a Canon L Series Lens.

Best Price Canon EF 50mm f/1.2L USM          Other Lenses

Canon EF 50mm f/1.2L USM Specs

Canon Lens EF 50mm f / 1.2L USM

Canon Lens EF 50mm f/14 USM

Standard lens featuring superb quality and portability. Two high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference.

Crisp images with little flare are obtained even at the maximum aperture.

Best Price Canon Lens EF 50mm f/1.4 USM

Specs